Opening credits.
SCENE 1. INT. NIGHT. VICTOR'S ROOM.
Victor and Luna lie in bed. Victor is in his thirties and
Luna in her late twenties. We can see them from the foot
of the bed. The room is in half-light. The desk lamp
beside the bed is on and illuminates their faces. They
speak very low, almost whispering.
VICTOR:
Entonces ^compramos manana los
billetes para Barcelona?
LUNA:
Creo que si, podriamos comprarlos.
Esperar mâs es tonteria, mas
baratos no van a ser en el futuro.
VICTOR:
Cojonudo. Empezaré a descontar los
dias. Manana avisare a Juanjo ^Nos
quedaremos en su casa?
Luna opens her eyes in an expression of surprise and
disagreement.
LUNA:
iEstarâs de cona! Mi madre me
mataria si no nos quedamos con
ellos. Ademas, a Juanjo le podras
ver todos los d^as.
VICTOR:
Tiene su sentido, pero acojona.
LUNA:
êEl qué te acojona ahora, mis
padres?
VICTOR:
No, vivir con ellos.
- 131 -
More intriguing information
1. The economic doctrines in the wine trade and wine production sectors: the case of Bastiat and the Port wine sector: 1850-19082. Income Taxation when Markets are Incomplete
3. The name is absent
4. The geography of collaborative knowledge production: entropy techniques and results for the European Union
5. Gender and headship in the twenty-first century
6. The resources and strategies that 10-11 year old boys use to construct masculinities in the school setting
7. A Critical Examination of the Beliefs about Learning a Foreign Language at Primary School
8. Une nouvelle vision de l'économie (The knowledge society: a new approach of the economy)
9. SOCIOECONOMIC TRENDS CHANGING RURAL AMERICA
10. Ronald Patterson, Violinist; Brooks Smith, Pianist