The name is absent



xii

2.12: Black Birds, Red Hills, Fourth mvt., mm. 6-8, (piano only)                84

2.13: Black Birds, Red Hills, Fourth mvt., mm. 1 -5, (clarinet only)               85

2.14: Black Birds, Red Hills, Fourth mvt., mm. 8-15, (viola only)                85

2.15: Black Birds, Red Hills, Fourth mvt., mm. 27-29                           86

2.16: Black Birds, RedHills, Fourthmvt., mm. 17-22                         86

2.17: Black Birds, Red Hills, Fourth mvt., mm. 36-44                           87

2.18: BlackBirds, RedHills, FourthZFifth mvt., mm. 93-99                     88

3.1: Bid Call, mm. 1-10                                                      105

3.2: Comparison of Quartet: She Wrote and Over, Easy                       113

a. Quartet: She Wrote, Fourth mvt., mm. 1-12

b. Over, Easy, Firstmvt., mm. 9-20

3.3: Blue Third Pieces, Second mvt., m. 62                                    114

3.4: Motive Comparison of Salt Peanuts (Gillespie), mm. 23-24;                114

Salt Peanuts (Larsen), Secondmvt., mm. 51-52;

Viola Sonata (Larsen), Third mvt., mm. 140- 142

3.5: Repetition of motive using tremolo: Viola Sonata First mvt.,                 116

mm. 3-4 and mm. 17-18

3.6: Repetition of motive using double stops: BlackBirds, Red Hills,             116

Fourth mvt., mm. 17-22 and mm. 23-28

3.7 : Repetition of motive using trills : Black Birds, Red Hills,                      116

Fourth mvt., mm. 10-11 and mm. 47-48

3.8: Viola Sonata, First mvt., mm. 3-5, motive x                               119

3.9: Cajun Set, Third mvt., m. 28                                             119

3.10: Viola Sonata, First mvt., mm. 36-37, viola only, x variant                  120

3.11: Viola Sonata, First mvt., mm. 1-2, viola only, motive y                     121

3.12: Viola Sonata, First mvt., mm. 7-8, overlapping of motive y                121

3.13: Viola Sonata, Firstmvt., m. 51                                             123



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