The name is absent

xii

2.12: Black Birds, Red Hills, Fourth mvt., mm. 6-8, (piano only) 84

2.13: Black Birds, Red Hills, Fourth mvt., mm. 1 -5, (clarinet only) 85

2.14: Black Birds, Red Hills, Fourth mvt., mm. 8-15, (viola only) 85

2.15: Black Birds, Red Hills, Fourth mvt., mm. 27-29 86

2.16: Black Birds, RedHills, Fourthmvt., mm. 17-22 86

2.17: Black Birds, Red Hills, Fourth mvt., mm. 36-44 87

2.18: BlackBirds, RedHills, FourthZFifth mvt., mm. 93-99 88

3.1: Bid Call, mm. 1-10 105

3.2: Comparison of Quartet: She Wrote and Over, Easy 113

a. Quartet: She Wrote, Fourth mvt., mm. 1-12

b. Over, Easy, Firstmvt., mm. 9-20

3.3: Blue Third Pieces, Second mvt., m. 62 114

3.4: Motive Comparison of Salt Peanuts (Gillespie), mm. 23-24; 114

Salt Peanuts (Larsen), Secondmvt., mm. 51-52;

Viola Sonata (Larsen), Third mvt., mm. 140- 142

3.5: Repetition of motive using tremolo: Viola Sonata First mvt., 116

mm. 3-4 and mm. 17-18

3.6: Repetition of motive using double stops: BlackBirds, Red Hills, 116

Fourth mvt., mm. 17-22 and mm. 23-28

3.7 : Repetition of motive using trills : Black Birds, Red Hills, 116

Fourth mvt., mm. 10-11 and mm. 47-48

3.8: Viola Sonata, First mvt., mm. 3-5, motive x 119

3.9: Cajun Set, Third mvt., m. 28 119

3.10: Viola Sonata, First mvt., mm. 36-37, viola only, x variant 120

3.11: Viola Sonata, First mvt., mm. 1-2, viola only, motive y 121

3.12: Viola Sonata, First mvt., mm. 7-8, overlapping of motive y 121

3.13: Viola Sonata, Firstmvt., m. 51 123