The name is absent



Appendix 3.2: Sample films - synopses and character lists

Goldfinger uκ 64
gadgetry to such a degree that the intention of an ironic
excess on the part of the film’s producers is hard to miss.
Masculine potency is thus emphasised to the point where the
film’s fantasy is not only spectacular but also self conscious
- a kind of pre-post-modern extravaganza. Various oppositions
- activity and passivity, dominance and subjection,
masculinity and femininity - are deployed with intriguing
complexity and considerable wit around the film's
representations of class, race and gender. The film, like
many other fairy stories, is about sexuality (male) and power,
and sometimes about the interactions between the two, though
the latter is, I think, a minor element.

Female characters in order of appearance, character groups

4√ Λ∙ Λ.   ɪ. <                  -*- ɪ *   W ɪ. ʌ-ʌ ‰» ɪ.       ɪ.   S-⅞                  ɪ Λ <√ V—~ f    '—'X    ɪ. V4 W ‰∙ ‰» Λ-   ⅛-ι            κ>

Pre-credit sequence: Guests∕diners in the nightclub

Pre-credit sequence: Dancer in the nightclub

Credit sequence: golden girl________________________

Credit sequence: girl embracing Bond in
superimposition

1___

Blonde swimming underwater in Miami hotel pool

4___

2___

Skaters∕dancers in Miami hotel

4___

3____

Sunbathers by the pool, Miami hotel_________________

4___

4___

Dink, Bond's companion at the Miami poolside________

4___

5___

Uniformed maid in Miami hotel corridor

4___

6___

Jill Masterson

3____

7___

Miss Moneypenny

4___

8___

Air hostess on Bond's Geneva bound plane___________

4___

9___

Tilly Masterson

3___

10

Children at the roadside, Switzerland_______________

4____

11

Old Swiss woman manning road barrier near
Goldfinger1S Swiss factory__________________________

4

12

Pussy Galore_______________________________________

3____

13

Mylee

4___

14

Sidney, Pussy's co-pilot on Goldfinger1S plane

4___

15

The champagne squad, pilots in Pussy's flying
circus

4

247



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