The name is absent

Appendix 3.2: Sample films - synopses and character lists

Goldfinger uκ 64
gadgetry to such a degree that the intention of an ironic
excess on the part of the film’s producers is hard to miss.
Masculine potency is thus emphasised to the point where the
film’s fantasy is not only spectacular but also self conscious
- a kind of pre-post-modern extravaganza. Various oppositions
- activity and passivity, dominance and subjection,
masculinity and femininity - are deployed with intriguing
complexity and considerable wit around the film's
representations of class, race and gender. The film, like
many other fairy stories, is about sexuality (male) and power,
and sometimes about the interactions between the two, though
the latter is, I think, a minor element.

Female characters in order of appearance, character groups

	4√ Λ∙ Λ. ɪ. < -- ɪ W ɪ. ʌ-ʌ ‰» ɪ. ɪ. S-⅞ ɪ Λ <√ V—~ f '—'X ɪ. V4 W ‰∙ ‰» Λ- ⅛-ι κ> Pre-credit sequence: Guests∕diners in the nightclub
	Pre-credit sequence: Dancer in the nightclub
	Credit sequence: golden girl________________________
	Credit sequence: girl embracing Bond in superimposition
1___	Blonde swimming underwater in Miami hotel pool	4___
2___	Skaters∕dancers in Miami hotel	4___
3____	Sunbathers by the pool, Miami hotel_________________	4___
4___	Dink, Bond's companion at the Miami poolside________	4___
5___	Uniformed maid in Miami hotel corridor	4___
6___	Jill Masterson	3____
7___	Miss Moneypenny	4___
8___	Air hostess on Bond's Geneva bound plane___________	4___
9___	Tilly Masterson	3___
10	Children at the roadside, Switzerland_______________	4____
11	Old Swiss woman manning road barrier near Goldfinger¹S Swiss factory__________________________	4
12	Pussy Galore_______________________________________	3____
13	Mylee	4___
14	Sidney, Pussy's co-pilot on Goldfinger¹S plane	4___
15	The champagne squad, pilots in Pussy's flying circus	4

247

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