Appendix 3.2: Sample films - synopses and character lists
SUMMER HOLIDAY UK 63
21 |
Diners in the Austrian restaurant_________________ |
4____ |
22 |
Musicians in the Austrian restaurant_____________ |
4_____ |
23 |
Chief guard at the Yugoslav border post___________ |
4_____ |
24 |
Guards at the Yugoslav border post________________ |
4_____ |
25 |
Men waving at the roadside, Yugoslavia |
4_____ |
26 |
Men with scythes, Yugoslave farm__________________ |
4_____ |
27 |
Men in farm buildings, Yugoslavia_________________ |
4_____ |
28 |
Father of the lBride1, Yugoslavia_________________ |
4_____ |
29 |
Men in the village street, Yugoslavia |
4_____ |
30 |
Passers by, Athens_________________________________ |
4____ |
31 |
Journalists∕photographers, Athens street_________ |
4_____ |
32 |
Mr Ragmore_______________________________________ |
3_____ |
33 |
Athens police____________________________________ |
4_____ |
34 |
JournalistsZphotographers, Athens hotel press |
4 |
35 |
Four musicians in Greek costume |
4_____ |
TOM JONES dir Tony Richardson UK 1963
Fielding's novel is converted in this film into an engaging
fairy story complete with a handsome young hero, a beautiful
young heroine, several thoroughly unpleasant villains and
various other fairly crudely drawn characters. The plot is
both introduced and commented upon as it unfolds by a narrator
who, though extra diegetic in the sense that he is not a
character in the story, is yet intra diegetic because he
invites complicity from the audience with the (supposedly)
eighteenth century values which the film presents. His
discourse is at once informative and ironic. The story is set
in eighteenth century England, in the pastoral west country
and in pre-industrial London. Not only are many of the major
characters essentially stereotypes familiar from fairy
stories, so too are the settings in which they act. Events,
characters and time itself are all represented schematically.
The countryside is always sunny, the roses always blooming
profusely; London streets are crowded, London salons elegant.
The narrative is studded with set pieces having more or less
tenuous links with the strict requirements of narrative flow.
The hunt scene, for example, eventually results in the
heroine's horse bolting: she can then be rescued by the hero
who breaks his arm in the process thus presenting a legitimate
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