Evolutionary Clustering in Indonesian Ethnic Textile Motifs

- ∏tτtfr}- s*m∙rwrj

■ DiMtinl -PfcUbr>jw∣

- Bmijmu IHttro PPtMbngw

- Ttttui dwptn LMki GfciwJ-P ∙MKXYj*n

- Tok kM gwθw Ktn, mκ∙bLM∙m

L∣jf.J ∣jr.jw 1mginLiutGfciUl-SwiUlta

■ C∙HM HiPkVlfr) MikStfTiitWg

Si KfcrvjOjfrJ MwaNPtUiCngin

■ Tttx* Otn gin LМн HirpjtmpPji*engin
■ Û JnjnjfrjK JUrt-PtMUfrjir

- Tlfrβ* Nefc-KfMsnrrtJrlKlrtl

MjH NAh > Pt K* _tn_βtn

- BHtjfc-AarqwnM

- MMrt mm I-Sufifcirti
■ 5 WW» NMl Pui Mingtojrogfctfcrt
Puwg ⅛rdM∣ Put Mingtunfcpiiw
- CfcCtCfc BUfi KfcrthatobKrMMV YOprkMrtk

Cfcftcfc NapanitKraton Yop∏fc∙n∙

Bι*fc LufrJ MfrJW Hjrtng LMmv

- Kpfct Otngin LMit OfJVptирPltew
f⅛ι∣rrυ >j∏∙j∣um-Pui Mwffc∣jr∙∙gκw
SwjfrJ Bitk KuAjfc-KuAjfc

- Lklw un Dfcikgrv-SwfcUrta

- MoaifrJ CKTHfcJtw -SutiMrtl
BMfc LoKrw phofcfv» LitfcfTi
- Llttt CfcfTlfcfTJ-Pul Mwcfcijrwpiiw
- PfclhJ BltUig [IntlfrJ LHOfcI-KJitxr YOJflUrt*

KfcJfrJ HjuaQYc-Xflhirtl

- (ICOWfcMJittn LUtiMrti

- Mjhl. Mfctw OnAhp-Liwm
BXfc T∏jr<uτv-9c4θ, JfcMl Twpih
CfcttCfc Lurg Ku UUp KrMXi SuiUrti

- CfcCtCKLfctWV. KfcXit
UbrltW PHClkOfrJW
PfctrrJ zl∣C4 KJMCrt Z-IjuMni
IiWvW- IiirlUrti

Pfcifrj OipeGMbap Swjft-Pui MwgtoJftpitw

Bfcfc Bifcfctif ∙cvpj∣Hc L»te»n, CfcfTUh
Iafcmblptn Mjh-YtgnMiU

- PfclhjKttrtOJtevfcYOjriUrta
TtffOfciJ Krihon VognMiU
firing HtM TumirunjhKrMhn YOgnMrtl

- (IifcfcUnV-PfcMhjngw

BiMUnS-PtMtongw

ScrlfciwtO YogitMrtfc

Pfcihj ком BfcOhj Pui Mwgtojropiiw
- Up* IK OW mwutil-PfcMtohjw

SwjfrJ H JfrJl BiMUfr и t AjfrJrHjh

- CtciO OuOtHratw BuiUrta
StMtohKriton IiutUrta
PKifrj GfcoAthKraton SuaUrta
P*lhjCuvp∙ KJittn SunMrti
DiM LfchjU Mong-Lattm. МАЛ YOgn
∣1 Ifrll LufkJI Kllttrt SutaMrti

C-IPili Srtiwru C∣∙mta

- PeW SMJ-PfcMbngw
Motl MB S Fth* CrtQfcfI
C∙tokt Pua MwgHjrtpfciw

- TtIit* Owpin LaUiOaiwl-PfcMtongw

- Pttihj RiitogKriton IiuiUrta

S WjfrJ MccrHfcNkLMfcfTi

- DlMIPfctoa-Puia Mir-Jkuvrjwin

- Mat IiaiwMwgaunfcgafw-PwiMwtfccunfcgaiw
Kiw J∙vκa Tfcfvpih

Pjrifrj Autifc t>ικnp'Ξ'jt Mini
• Kfcmbth Ja>M TtfrJMV-J**! TtfiJlrt

MifCHi wd OfcVtKPfcMbfrjfci

PfcIhJ FV∙n* ⅛J∣W1 Kjfcrn YhjfiUrti
- Tqk VM pirrOfcf tiro∙. PuW-Latfcm

Tirrofcl LM∙m, Kufcut₁ Vogn

Mjhi_iTactaa Mtia-Litom

- BfcmOigfcnJ-Liitm Oin CwfcOw

MfctfckCofcijng-PtMbngw
■ Sfcmbfcptnl -LfcltfTi atn CWfcMO
- BXt Dtngptng HjhH-Kriuipmw

BMfc MJtt P*KrJ frjt Jttrt-L«INI. KUAll. Г OXffc
■ Duvgj Hjkfctw, Mfctth-PtfcMongtn

- Duvg» Ajhfctw. !.KvpJ-Pfcfcibngir

- BttfcMiuvaKJMni-Yognfcini

- Tot VV PxtftM Nipt, frtlff>LklJffl

Figure 5

Phylomemetic of Indonesian Batik.

4. Closing Remarks

Traditional textile ornamentation is a complex thing as emerged from various aspects of human
living individually (related to aspects of creativity, cognitive capacity, etc.) as well as socially (related
to social interaction both among people and between social collectivity and natural aspects). The
memetics is thus needed in order to have the comprehensive view of these aspects. The effects of
the existence of human culture are reflected in the way of acquisition of things surrounding her and
the way she creates artifacts to support her life and existence.

Traditional culture related to the living systems as reflected from visual representation and
appearances in aesthetic way is an interesting thing to start with. This visual aesthetics can be seen
from the geometrical shapes and colorization employed as reflected in the cultural artifacts. Both
can be seen as the smallest unit of information of the cultural aspects. We have presented the
correlations between memeplexes that is transformed into distances has generated the
phylomemetic tree, both among some samples from Indonesian textile handicrafts and batik, the

<<   4   5   6   7   8   9   >>

More intriguing information