Evolutionary Clustering in Indonesian Ethnic Textile Motifs



each other production modus, e.g.: sarung from Bima (eastern Indonesia) and tusuk silang from
Payakumbuh West Sumatra.

nrrr*jiwE dts1aκes

Figure 4

Phylomemetic Tree of Several Indonesian textile ornamentation.

Other interesting facts about the phylomemetic tree on textile handicrafts are also shown in the
specific tree of Javanese
batik. The calculated fractal dimensions and color histogram analysis in
their roles as variables filling the memeplex vectors has brought the clustering of
batik products in
the sense of their respective locations. The batik crafted in
keraton (Javanese classical palaces)
traditions, e.g.: Yogyakarta, Surakarta, grouped in different clusters with those
produced by crafters
in coastal tradition, e.g.: Lasem, Pekalongan, Semarang. This explains that the different
anthropological aspects of the culture between the two traditional cra
fting processes and
techniques as well as the existing and culturally emerged aesthetical tastes. However, some
particular things can also be read from the visualization regarding to the similar general pro
cesses of
mbatik between those traditional work of arts, batik. Kelelawar (bat) motif, for instance, is made in
the coastal tradition (Lasem), but yet clustered closely enough with some motifs from Surakarta
(
Solo Keraton). This is interesting and simultaneously showing that from the pictures depicted in
batik still has some “familial” crafting principles and of course the familial of Javanese whether they
live in the palace’s surrounding or in coastal areas.

Evolutionary speaking, the similar cognitive capacity and interactions with foreigner has changed the
way of appreciation of (visual) aesthetics which in turn affected the creation of
batik patterns. The
phylomemetic tree of
batik in some ways could bring us to the conjecture of further explanation of
the different characters of the Javanese people living i
n the coast-side and in the rural. From here,
anthropological works on human culture and history could meet and excite the further disc
ussion of
the evolution of culture. This is the right track for memetics is meant to be a tool explaining the
diversity of culture related to various aspects of human life, acquisition of information, and cognitive
capacity in the sense of evolutionary method and princi
ples.



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