113
Example 3.2: Comparison of Quartet: She Wrote and Over, Easy

b. Over, Easy, First mvt., mm. 9-20

This is an extreme example of the composer quoting herself. In Blue Third Pieces55
(2000) for flute (or В-flat clarinet) and guitar Larsen uses a short motive throughout the
55 Larsen introduces this piece as an exploration of the third and its harmonic and melodic
place in the blues.
(http://libbylarsen.com/index.php?contentID=242&profileID=1241&startRange=) Inthe
second movement of Blue Third Pieces titled Salt Peanuts, Larsen deliberately
incorporates the rhythm of the famous “salt PEA-nuts, salt PEA-nuts,” gesture from
Dizzy Gillespie’s bebop composition of the same name.
More intriguing information
1. Critical Race Theory and Education: Racism and antiracism in educational theory and praxis David Gillborn*2. The name is absent
3. Notes on an Endogenous Growth Model with two Capital Stocks II: The Stochastic Case
4. Better policy analysis with better data. Constructing a Social Accounting Matrix from the European System of National Accounts.
5. TOMOGRAPHIC IMAGE RECONSTRUCTION OF FAN-BEAM PROJECTIONS WITH EQUIDISTANT DETECTORS USING PARTIALLY CONNECTED NEURAL NETWORKS
6. GENE EXPRESSION AND ITS DISCONTENTS Developmental disorders as dysfunctions of epigenetic cognition
7. The name is absent
8. Automatic Dream Sentiment Analysis
9. Iconic memory or icon?
10. The voluntary welfare associations in Germany: An overview