The name is absent

160

Viola Sonata⁶

First mvt.

m. 15, end of 2nd beat, viola: should be A flat (not natural)

m. 61, first note, viola: should be C natural (not B)

m. 73, last C, viola: should be a half note

m. 93: tempo should be 80-84, not 108

m. 98, viola: articulation should be the same as m. 100

m. 114, viola: the two separate 16ths should be up an octave creating three
octaves of A in that bar⁷

m. 119, piano: third beat should be E D C A in both hands

Second mvt.

m. 22, viola: dim into the 6/4 bar, then p dim to pp.

m. 34, viola: triplet should be D-G flat-D

m. 48: no rail.

Third mvt.

m.22, tutti: should be played twice: Ix f, 2x p

m. 59, viola: tremolo. D, tremolo C, then double notes on the 16ths in the 3rd &

4th beats. Also, the last note of the bar is an E.

m. 60, viola: Back to single notes.

m.62, tutti: quasi Tempo 1 “I allow the figure at the end of m. 59 to tug me back a
bit in tempo so that m. 60 is quasi Pesante and then again at m. 62 I resist the tempo
just a bit more, bringing it back more or less to the opening tempo.”⁸

m. 62-63, piano: should be bass clef

m. 82, viola: 2nd beat should be G/В flat

m. 85, viola: third beat should be naturals (В-E fifth)

m. 89, viola: last note is an F natural

m. 99, viola: third beat should be naturals (В-E fifth)

⁶ James Dunham, email to the author.

⁷ Dunham plays open A for the middle octave as per Larsen’s instruction.

⁸ James Dunham, email to the author.

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