The name is absent



162

A5: Viola Sonata, Second mvt., mm. 19-213

A6: Viola Sonata, Second mvt., mm. 34-354

A7: Viola Sonata, Second mvt., 63-65

A8: Viola Sonata, Third mvt, mm. 15-16

tfz

A9: Viola Sonata, Third mvt., mm. 45-48

P                                   sub. p sub.

3 Dunham uses bariolage in this case for a more intense, physical experience. He notes,
“it is no mere trill!”

4 The use of harmonic helps to avoid the string-crossing bump at the softest most special
harmony.



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