162
A5: Viola Sonata, Second mvt., mm. 19-213
A6: Viola Sonata, Second mvt., mm. 34-354
A7: Viola Sonata, Second mvt., 63-65
A8: Viola Sonata, Third mvt, mm. 15-16
tfz
A9: Viola Sonata, Third mvt., mm. 45-48
P sub. p sub.
3 Dunham uses bariolage in this case for a more intense, physical experience. He notes,
“it is no mere trill!”
4 The use of harmonic helps to avoid the string-crossing bump at the softest most special
harmony.