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BIBLIOGRAPHY

Books and Articles

Alenier, Karren LaLonde. The Steiny Road to Operadom: The Making of American
Opera.
Bloomington, IN: Unlimited Publishing LLC, 2007.

Alexander, J. Heywood, ed. To Stretch our Ears: A Documentary History of America's
Music.
New York: W. W. Norton & Company, 2002.

Barbieri, Susan M. “The Language of Strings.” Strings 14.4 (NovemberZDecember 1999):
70-77.

Bezerra, Jeanenne Gray Barton. “The Relationship Between Text and Music in the Works
ofLibby Larsen.” MM thesis, Baylor University, 1999.

Biery, Marilyn Perkins. “New Music for Organ at the End of the Twentieth Century: A
Series on the Compositions of Six American Composers: Libby Larsen.”
The
American Organist
34 (July 2000): 76-78.

Boyer, Douglas Ralph. “The Choral Music of Libby Larsen: An Analytical Study of
Style.” DMA diss., University of Texas at Austin, 1994.

-------. “Musical Style and Gesture in the Choral Music ofLibby Larsen.” The Choral
Journal
34.3 (1993): 17-28.

Brasseaux, Ryan André. Cajun Breakdown: The Emergence of an American-Made
Music.
Oxford: Oxford University Press, 2009.

Brin, David M. “The Acoustic Horizon: Where Sound Waves Shake into Formless
Echoes.”
Strings 5.5 (March/April 1991): 14-15

Briscoe, James R., ed., Contemporary Anthology of Music by Women, Bloomington:
IndianaUniversityPress, 1997.

Bruhn, Siglind. Musical Ekphrasis: Composers Responding to Poetry and Painting.
Hillsdale, NY: Pendragon Press, 2000.

Chastain, Susan. “A Conversation with Libby Larsen: A Transcription on a Taped
Telephone Interview from April 17, 1995.”
IAWMJournal (February 1996): 4-7.



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