165
Cisler, Valerie, and Anne Foradori. “Words and Music: Cather and Larsen, The Margaret
SongsT In A Prairie Mosaic: An Atlas of Central Nebraska's Land, Culture, and
Nature, ed. Steven J. Rothenburger and Susanne George-Bloomfield, 144-151:
University OfNebraska at Kearney, 2000.
Collins, Pamela and Brian Morton eds. Contemporary Composers. Chicago: St. James
Press, 1992.
Cook, Alicia. “The Evolving Style of Libby Larsen.” MM thesis, Butler University, 1996.
El-Hai, Jack. “Grand Larsen.” Minnesota Monthly, 30.6 (June 1996): 78-81.
Erdmann, Thomas. “Profile: Libby Larsen.” Women of Note Quarterly 8.1 (February
2000): 1-8.
Evans, Gary, Music Inspired by Art: A Guide to Recordings. Lanham, MD: The
Scarecrow Press, Inc., 2002.
Feldman, Mary Ann. “Larsen [Reece], Libby [Elizabeth] (Brown).” InAew Grove
Dictionary of Women Composers, New York: W. W. Norton, 1995: 266-268.
Fowler, Charles, ed. “Three Musical Creators: Aaron Copland, Duke Ellington, Libby
Larsen.” In Music! its Role and Importance in our Lives. New York: MacMillan
McGraw Hill, 1994, 345-353.
Fuller, Sophie. Pandora Guide to Women Composers. SanFrancisco: PandoraPress,
1995.
Green, Cynthia. “Interview with Composer Libby Larsen.” ILWC Journal (June 1992):
24-27.
Harg, Stefan. “An Interview with Libby Larsen.” The Clarinet 30. 3 (Jιme 2003): 58-61.
Hoffman, Katherine. Georgia O'Keeffe: A Celebration of Music and Dance. New York:
George Braziller, Inc., 1997.
Kessler, Richard. “Libby Larsen Interview (2/99) Section 7: Music and Spoken American
English.” New Music Box. 2.5 (2 June 2002).
http://www.newmusicbox.org/archive/firstperson/larsen/interview7.html (accessed
June 25, 2009).
Killam, Rosemary N. “Calamity Jane: Strength, Uncertainty, and Affirmation.” Women
of Note Quarterly 1.3 (1994): 17-25.
------. “Women Working: An Alternative to Gans.” Perspectives of New Music 31,
(1993):230-251.
More intriguing information
1. Willingness-to-Pay for Energy Conservation and Free-Ridership on Subsidization – Evidence from Germany2. Pursuit of Competitive Advantages for Entrepreneurship: Development of Enterprise as a Learning Organization. International and Russian Experience
3. The name is absent
4. The name is absent
5. Can a Robot Hear Music? Can a Robot Dance? Can a Robot Tell What it Knows or Intends to Do? Can it Feel Pride or Shame in Company?
6. Aktive Klienten - Aktive Politik? (Wie) Läßt sich dauerhafte Unabhängigkeit von Sozialhilfe erreichen? Ein Literaturbericht
7. The name is absent
8. The problem of anglophone squint
9. A Theoretical Growth Model for Ireland
10. The name is absent