HARAWAY, D. (1991) Simians, Cyborgs and Women: The Reinvention of
Nature, London: Free Association.
HARDEY, M (2002) ‘Life Beyond the Screen: Embodiment and Identity Through
the Internet’. Sociological Review. 50 (4). 570-585.
HEIM, M. (1993) The Metaphysics of Virtual Reality, New York: Oxford
University Press.
HEINLEIN, R et all (1964) The Science Fiction Novel: Imagination and Social
Criticism, Chicago: Advent
HENDRIKS, L. (2004) ‘Mas Alla del Infinito: Stanley Kubrik y el Cine de
Vanguardia’. London, Miradas. [online] Available Internet
http:/www.miradas.eictv.co.cu/index.php [Accessed 02/10/06]
HODGE, B AND TRAPP, D (1996) Children and Television: a Semiotic
Approach, Oxford: Polti.
HOLMES, S. AND JERYMN, D. (2003) Understanding Reality Television, London:
Routledge.
HUME, D. (1978) A Treatise of Human Nature, Oxford: Clarendon Press.
HUTCHEON, L. (1989) The Politics of Postmodernism: London, Routledge.
HUXLEY, A. (1994) Brave New World, London: Flamingo.
IMBERT, G (2002) Cine, Representacion de la Violencia e Imaginarios Sociales
in CAmAreRo, G. La Mirada que Habla: Cine e Ideolog'ias, Madrid: Akal. 89-98
IRWIN, W (2002) The Matrix and Philosophy. Chicago: Open Court.
JAMESON, F. (1991) Postmodernism: or, The Cultural Logic of Late
Capitalism, London: Verso.
JAMESON, F. (1996) Teoria de la Postmodernidad, Madrid: Trotta.
JENKINS, H (2004) ‘The Cultural Logic of Media Convergence’. International
Journal of Cultural Studies. 7 (1). 33-43.
JENKINS, H. (2006) Convergence Culture: Where Old and New Media Collide,
New York: New York University Press.
JONES, R. (2001) Beyond the Screen, a Participatory Study of Computer
Mediated Communication [on-line]
http://personal.cityu.edu.hk/~enrodney/Research/ICQPaper.doc [Accessed
02/01/2008]
- 120 -