The name is absent

DOELKER, C. (1982) La Realidad Manipulada: Radio, Television, Cine, Prensa,
Barcelona: Punto y Lι'nea.

DONALD, J (1989) Fantasy and the Cinema, London: British Film Institute.

DOVEY, J (1996) Fractal Dreams: New Media in Social Context, London:
Lawrence and Wishart.

EISENSTEIN, S. (2002) Teoria y Técnica Cinematogrdficas, Madrid: Rialp.

ELLIS, J. (1992) Visible Fictions: Cinema, Television, Video, London:
Routledge & Kegan Paul.

FLAUBERT, G (1981) Madame Bovary, Madrid: Alianza.

FOUCAULT, M (1998) ‘Of Other Spaces, Heterotopias’. Foucault.Info [online]
Available Internet: http://foucault.info [Accessed 15/05/08]

FROSH, S (1991) Identity Crisis: Modernity, Psicoandlisis and the Self,
Basingstoke: McMillan.

GATTO, F. G. (2000) ‘De la Socio-Ficcion a la Ciencia-Ficcion'. Henciclopedia.

[online] Available Internet:

http://www.henciclopedia.org.uy/autores/FGimenez/Matrix.htm. [Accessed
22/02/04]

GERRIG, R (2004) ‘Psychological Process Underlying Literary Impact’, Poetics
Today, 265-281, 25 (2)

GIBSON, W. (1984) Neuromancer, London: Harper Collins.

GIBSON, W. (1986) Burning Chrome, New York: Ace Books.

GIDDENS, A. (1990) The Consequences of Modernity, Cambridge: Polity Press
in association with Blackwell.

GIOBRAN, G. (1999) ‘Hugh Everett III and the many worlds theory’.

Everythingforever. [online] Available Internet
http:/everythingforever.com/everett.htm [Accessed 02/07/06]

GONZALEZ, A. (1997) A Todo Amor, Antologia Poetica, Madrid: Visor.

GREENFIELD, P.M (1984) Mind and Media: The effects of Television,
Videogames and Computers, London: Fontana.

GUNNING, T (2004) ‘An Aesthetic of Astonishment: Early Film and the
(In)credulous Spectator in BRAUDY, L Film Theory and Criticism: Introductory
Readings, New York: Oxford University Press. 862-877.

- 119 -

<<   117   118   119   120   121   122   123   >>

More intriguing information