The name is absent

BRAUDY, L (2004) Film Theory and Criticism: Introductory Readings, New
York: Oxford University Press

BUKATMAN, S. (1999) ‘The Artificial Infinite: On Special Effects and the
Sublime’. Alien Zone II: The Spaces of Science Fiction Cinema, 249-275.

BUKATMAN, S. (2002) Terminal Identity, Durham: Duke University Press.

BUSCOMBE, E. (1978) ‘Sound and Colour’. Jump Cut: A review of
contemporary Media, 17, 23-35.

CAMARERO, G. (2002) La Mirada que Habla: Cine e Ideologias, Madrid: Akal.

CARRETERO PAS(N, a. (2005) Imaginario y Utopias. Athenea Digital, 7, 40-60.
[online] Available Internet:
http/antalaya.uab.es/athenea/num7/carretero.pdf [Accessed 21/07/06]

CAsTELLs, M. (1999) The Information Age: Economy, Society and Culture,
Oxford: Blackwell.

CERVANTEs sAAVEDRA, M (2005) Don Quijote de la Mancha, Madrid: Espasa
Calpe.

CHIEN, I (2007) ‘Deviation. Red vs. Blue: The Blood Gulch Chronicles’, Film
Quarterly, 60 (4), 24-29.

CONsTENLA, T (2008) ‘La Ultima Cena y la profanacion de Greenaway’, El
pais [online] Available Internet

http://www.elpais.com/articulo/cultura/ultima/cena/profanacion/Greenaw
ay/elpepucul/20080701elpepicul 3/Tes [Accessed 01/07/08]

DARLEY, A. (2000) Visual Digital Culture: Surface Play and Spectacle in New
Media Genres, London: Routledge.

DEBORD, G. (2000) La Sociedad del Espectdculo, Madrid: Pre-textos.

DELEUZE, G. (2005) Cinema 2: The Time-Image, London: Continuum.

DENZIN, N. (1991) Images of Postmodern Society: Social Theory and
Contemporary Cinema, London: sage.

DESCARTES, R. (1977) Meditaciones Metafisicas, Madrid: Alfaguara.

DICK, P. K (1991) The Collected Stories of P. K. Dick, London: Grafton.

DICK, P. K (2004) A Scanner Darkly London: Gollancz.

DOANE, M. A. (1993) ‘Technology’s body: Cinematic Vision in Modernity’.
Differences, 5 (2), 13-14.

- 118 -

<<   116   117   118   119   120   121   122   >>

More intriguing information