36
Figure 4: Gringalet Formai Structure
Section |
mm |
Instrumentation |
Special Instructions |
Significant Musical Features______ |
A |
1-9 |
violin, viola, cello |
Quarter= 144 Marked “furiously ’’ |
Narrow range Close harmonies P-fff Contrary motion glissando at end |
~B |
10-26 |
solo guitar |
Quarter=I 12-120 |
Complete 16 bar transcription of |
~ÂÏ |
27-35 |
violin, viola, cello |
Quarter= 144 Marked “furiously, as |
Similar pitch content to A with ppp-fff, subito dynamics_____________ |
~B1 |
36-51 |
tutti (all pizz) |
Quarter=I 12-120 |
Guitar waltz theme Accompaniment in violin, viola, Cello has downbeat pizz, like waltz No resolution at end________________ |
^A2 |
52-60 |
violin, viola, cello |
Quarter= 14464 |
Double bows and trills Theme in canon between viola, cello In original register____________________ |
^C |
61-77 |
tutti: violin con sord |
Quarter=62 Marked “waltz" |
New material Melody in guitar mm. 61-69 Melody in violin mm. 70-77 OStinato throughout__________________ |
B2 |
78-81 |
solo guitar_________ |
Four bar fragment of waltz theme | |
A3 |
82-89 |
violin, viola, cello (all arco)____________ |
Quarter= 144 |
Double bows and trills |
^B3 |
90-108 |
violin, viola, cello |
Quarter=72 |
More of a variant than previous B Cello maintains emphasis on |
^^C2 |
110- 125 |
tutti |
Guitar melody 110-117 Violin melody 118-125_____________ | |
^B4 |
126- 142 |
tutti |
Guitar melody exactly the same as B Vln∕Vla∕VC sustain unison E-flat in mm. 133-140 Ends with three measure contrary | |
^A4 |
142- 152 |
violin, viola, cello (all arco)____________ |
Quarter= 144 |
Similar to A3 Ends pp on GM chord_____________ |
64 There is a misprint in the score here. The indication in the table is correct.
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